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Paintings Available Paintings Services Art Commissions Art Licensing (for Organisations)

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Art Archive

An overview of some work through the years

2018 - 2019

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2013 - 2017

Sense of Wonder

Listening to the World

Sleeping in the Forest

The White Fire of the Stars

Don't Forget to Play

Basement Theatre Roller Door Collaboration

Milieu – Large Scale

OLDER WORK 2009 - 2012

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SEE THE PROCESS ON INSTAGRAM

A small project I'm slowly chipping away at on the side, ochres from this found brick on the beach. Most bricks are composed of yes! ochres, plus other rocks.
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This one is bound together by some sort of cement glue. When I made it into goua

'Celestial & Terrestrial 🍃the dance of physical creation' handmade earth pigment paints from The Elements gouache set, A5 handmade sketchbook Hahnemuhle bamboo paper✨

Subtle grounded beauty🍃

Ochres, stones and crystals have their own frequencies and timing, and require deep listening and surrender to work with, not unlike the creative process itself. The earth plane and elementals contain deep shadow and light &

Soil balm gift I’ll always treasure, from beautiful ochre wise woman @heidilynnheidilynn. Ochres from the Oregon Coast, aborted steel iron ore from Washington Coast, iron mineralised plant roots (my favourite), ochre from Heidi’s ancestra

🍃E A R T H D A Y✨
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Grateful to be a cosmic soul visitor housed in the physical manifestation of the Earth Mother. 💫
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The perspectives on how to be stewards of the Earth contain multitudes. The more I learn, the more I see there's

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Dreams of Source shares recognition and respect for Te Kawerau ā Maki, Mana Whenua of west Tāmaki Makaurau (Auckland), the city I’ve been blessed to live and work in. I also give great thanks to my Filipino pamilya/whānau, and honour all teachers past, present and emerging.

Earth Pigment Practice: All red earth I use are from Veneto, Italy, activated from my travels there in 2019. Out of respect for Tangata Whenua, I don’t use vibrant red earth from Aotearoa New Zealand, which is culturally important for our indigenous people. These days, I paint mostly with Filipino, European and Japanese pigments, harmonising the exchanges within my whakapapa and using “waste" material from the steel industry.

COPYRIGHT All artwork, images and contents of this website & associated social media channels are held under the copyright of Meghan Geliza Jackson T/A Dreams of Source. Artwork, images and contents of this website may not be reproduced, sold for profit or used for professional or personal gain without Meghan Geliza Jackson T/A Dreams of Source’s written consent.

© 2024 Dreams of Source | Meghan Geliza Jackson. All rights reserved.